Alas or Hooray… we are living in a world where the relevance and popularity of Octavia Butler is on the rise! Her Kindred has just been adapted to an excellent graphic novel, Dawn (the first book in the Lilith’s Brood series) is becoming a TV show, and Parable of the Talents is currently reality. (not to spoil that dystopian book, but there’s a populist president brought into office by white supremacists chanting “Make America Great Again”)
Butler published Fledgling in 2005, just a year before her death. The book’s protagonist is named… well she can’t remember, at least for a while. She wakes up in terrible pain unable to remember anything, except that she is HUNGRY. What’s she hungry for? Well, turns out she’s Butler’s take on a vampire, so she’s hungry for blood. But Butler’s version of vampires (Ina) don’t necessarily kill for blood, instead cultivating extended families of human “symbionts” to feed off of. In turn, the humans gain supernatural health and longevity, and there’s a lot of sex too (it is a vampire story, after all).
Not that this is going to help entice you to read this book, but I’d like to say one of my favorite things about this book is the fact that everyone in it KNOWS there are vampires in culture. This is one of my greatest pet peeves about most genre films/books. The zombie apocalypse comes (like, say, in the walking dead) and nobody, nobody, nobody, has any idea what a zombie is. They’re always, “whoa, if you get bitten who knew you’d turn?” Anyone whose ever seen a zombie movie! Zombies, werewolves, and vampires as recognizable to modern Americans as Michael Jackson. Case in point— Thriller. So I find it refreshing that when our protagonist and her humans are trying to figure out what/who she is, they pour through hundreds of years of vampire folklore. Because scrubbing that from the universe while playing on this folklores tropes is just wrong. Butler even drops a lame Bella Lugosi joke, which even her characters find lame! Awesome.
Like many of Butler’s novels, the plot moves forward as an initially unsure protagonist gains skill and confidence to lead her community through struggle. The protagonist learns her name and finds that she is the product of genetic experimentation. The social mark of this experiment endangers and empowers her.
Overall, this is not my favorite Butler novel, and frankly I think a large part of that is that the main character appears to be only 10-11 in human years (but is really older, because… vampires), yet still is object of a lot of sexual desire and has a lot of sex (again, because vampires). Fine and good, but… yuuuuuuuck and eeee… it was just too much for me. I don’t really see the point, given the books interest in polyamorous relations.
Go read it– and all of Butler’s other works, too.
Availability: USMAI and COSMOS
Review Submitted by: Shane D. Hall